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Joined 1 year ago
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Cake day: August 2nd, 2023

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  • Ah yes. Great. We’re the election conspiracy theorists now. It’s apparently democrats turn to make completely baseless accusations.

    This stuff is exhausting. We want to look for every reason except for the one that matters: Democrats lost America. We need to break the party apart and start over.

    Every other excuse just delays and distracts. Democrats fucked it. We can be all high and righteous as we want, but we lost 2 of 3 to Donald Trump.

    Face the reality. Democrats need to reinvent themselves or they will lose to shit candidates like Trump.








  • … I mean I think he’s aware of how it works. Weird Al, given his track record with respecting other people’s work even above what he is required to do, doesn’t seem like the type to ask to be a part of it and then demand it to be done his way.

    I think they could make something work. SNL has its own style, but they tend to adore when they have comedic hosts who will play the goofy roles. Weird Al seems like a great fit… Musical numbers, collaborations with Please Don’t Destroy… I think it has big potential.



  • Personally, I had to stop watching after a few episodes. The writing is just awful.

    It’s a lot of telling, not showing. And because of the poor writing, the actors suffer. There’s not many good ways to deliver poorly written lines.

    The changes they made might be logical, but the execution was poor. At least in the episodes I watched, it’s like every character has to say exactly what they are feeling, and they do the whole “so what’s the plan again” trope to remind the audience of what’s going on way too often.

    Sokka’s character arc in season 1 was kinda botched… He was misogynistic in the original on purpose… And then got his ass absolutely handed to him by the Kyoshi warriors and it was a good moment. In this one they seemed afraid to hit the misogyny, so the moment was kinda lost, and the character development was flat.

    There’s just a lot is missteps, in my opinion, but the source is the writing. I don’t think the acting is good, but it’s because of the writing, not the actors.









  • I think this is rather impossible to answer.

    One of the biggest issues is that context changes over time.

    FF7 in particular is nearly unplayable by modern standards, imo. The amount of transition times (random battles with 20 second intros and 20 second outros) and lack of QoL features make it ridiculously hard to swallow. There’s also an expectation of mindless “grinding” that has largely written out of modern games. Even the remake uses side missions, which at least have some interesting elements to them, rather than pure mechanical “go spend 2 hours killing basic enemies”.

    OoT has many good things going for it, but the live controls and weird camera behavior have been largely solved by games nowadays.

    If you consider them in the context of the current time, both were unlike almost anything that had been seen. And given the price/console exclusivity at the time, I’d venture that very few people actually played them at the same time in their contexts.

    Both were absolute revolutions of their time, which isn’t capturable anymore. It reminds me of the movie Predator. It became the foundation for so many things, but modern movies have taken everything that Predator did and did them better. By modern standards it’s a clichéd action movie with basically no plot. Makes it hard to judge.